Ti Amo

by

Translated from by

Published: September 13, 2022

$18.00

ISBN: 9781953861443, eisbn 9781953861450
This item will be released on September 13, 2022.

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Book Description

What can be found within a gaze? What lies inside a painting or behind a handful of repeated words? These are the questions that haunt our unnamed narrator as she tends to her husband, stricken with cancer, in the final months of his life. She examines the elements of their life together: their Vietnamese rose-colored folding table where they eat their meals, each of the New Year’s Eves they’ve shared, their friendships, and their most intimate exchanges. With everything in flux, she searches for the facets that will remain. Hanne Ørstavik writes, “I have a compulsion for truth that feels like my very life force itself.” Tentative, laced with a tingling frankness, Ørstavik’s prose adheres so closely to the inner workings of its narrator’s mind as to nearly undo itself. In Martin Aitken’s translation, Ørstavik’s piercing story sings.

This year’s little novel from Ørstavik opens rooms with great emotions and wise thoughts about life, love and death. All we can do is say thank you and enter.
Ellen Engelstad, Klassekampen, Best of 2020


Hanne Ørstavik has written perhaps her best novel about the great loss of her own life.
Adresseavisen, #1 on the Best of 2020 list


With ti amo, Hanne Ørstavik rediscovers the intensity and presence of her first novel Love. ti amo explores the liminal experiences that a novel can contain. At the same time we see her oeuvre from a new perspective. It’s a powerful novel about loving, and her best in a long time.
Astrid Fosvold, Vårt Land, Best of 2020


What do we really talk about when we talk about “truth” in literature? Hanne Ørstavik’s painful book of grief provides rich answers … thoughtful and – even for her – enormously raw … Ørstavik accomplishes astonishingly much on few pages in this book.
Morgenbladet


An exceptionally good novel about grieving and waiting … Ørstavik writes brilliantly about life with a husband who is dying … the book’s powerful opening immediately led my thoughts to Marguerite Duras’ iconic love novel The Lover (1984) … With perceptible details Ørstavik creates images in the reader’s head. She brings us straight into a human drama that many of us will eventually go through … Ørstavik writes so well that the book feels both essential, timeless and universal. She manages to show the enormous power that resides in words. Here they make both the husband and love come alive to the reader
Aftenposten


One of the most powerful things about the book is precisely this description of the process of losing someone to illness. The time it takes. That it’s possible to feel bereaved already before death arrives … It’s exhausting reading, breathless in its resignation … And then, midway through the book, there is a turning point. To me this is where the book really grabbed me, catching me off guard, I would say, in a brilliant way. One shouldn’t reveal too much of this, but I will say that it’s one of life’s ambushes deep down in the valley of death, equal parts dream and taboo, possible and impossible, an incident that gives grief a colour nuance it probably only can have for those who have stared into its eyes long enough.
Klassekampen


A tender novel about losing your closest one to cancer … perceptive, thoughtful and brilliantly written … [Ørstavik’s] novels are characterised by the way she uses language and words to create identity. She has never done it as successfully and satisfyingly as now … above all it’s a beautiful novel. About love in a real sense.
Adresseavisen, 6/6 stars


What is true? What is real? How can you reach into another human being? These questions have been central throughout Hanne Ørstavik’s work. In her latest novel, Ti amo, in a story which is her own, she takes these questions to another level … Ørstavik has an impressive ability to expose the inner world of a person, to reach in to where it hurts the most and explore complex experiences in simple prose, without everything falling apart.
Vårt Land


PRAISE FOR HANNE ØRSTAVIK



Ørstavik’s slow-burning narrative crescendoes as a potent feminist anthem.
Publishers Weekly on The Pastor, Best Books of 2021


A beautiful and haunting gem . . . A quiet, resonant novel in which a young female pastor narrates the story of her self-exile to a sparse outpost in the far North and her relationships with the village locals—a rough, hardworking bunch who hide their vulnerabilities . . . The Pastor is the fascinating story of a woman in a strange setting who continually probes the vital question of how to live a meaningful life.
Lori Feathers on The Pastor, Literary Hub


The desolate beauty of a Nordic winter mirrors the interior landscape of a troubled priest in The Pastor, a mesmerizing study of spiritual unease . . . With writerly grace and moral seriousness . . . The Pastor summons a sweep of images and questions bound to linger.
Theo Henderson on The Pastor, Shelf Awareness, starred review


Love​​’s impeccable English translation by Martin Aitken reflects the economy and self-possession of Nordic prose. Its seamless narration, drawn in counterpoint, reverberates beyond the eerie landscape, lingering in the mind...​​ Love​​, like love, yields its own gifts.​
​Fani Papageorgiou on Love, Hyperallergic


Ørstavik's mastery of perspective and clean, crackling sentences prevent sentimentality or sensationalism from trailing this story of a woman and her accidentally untended child . . . [an] excellent novel of near misses.
Claire Vaye Watkins on Love, New York Times Book Review


Ørstavik has found fertile territory here in which to dig into the raging solipsism of the inner life . . . We are all sealed worlds, Ørstavik seems to suggest; it’s dark outside, and it’s dark inside too.”
Justine Jordan, The Guardian