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Celebrating Erasure III: The Jefferson Bible

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Continuing in our series Celebrating Erasure, this week we focus on one of the most curious examples of erasure: the Jefferson Bible. Thomas Jefferson set out to extract every supernatural element of the New Testament. Starting with a beautiful leather-bound volume of the Bible, Jefferson physically removed any passage of miracles or god-like qualities with a razorblade. He glued phrases together, re-penned passages, and strung together a human narrative — all in order to distill the morality of Jesus.

 

He titled his creation “The Life and Morals of Jesus of Nazareth,” and never intended the project to become public. After his death, facsimiles were created and distributed publicly:

 

 

More information at the Smithsonian’s website.

 

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Celebrating Erasure II: Tom Phillips

Following up from last week’s post about erasure, this week celebrates the work of Tom Phillips’s  A Humument. In 1966, artist Tom Phillips walked into a used book store and bought a copy of W. H. Mallock’s A Human Document for a dime. From this Victorian novel, Phillips created an entirely new book/poem/novel/artwork which he continues to revise with new erasures every decade or so. You can read about the project here.

 

Some scans of the first few pages:

 

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Comment with your favorite noteworthy erasures!

 

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Celebrating Erasure I: Mary Ruefle

CRI_174840Kazimir Malevich. Suprematist Composition: White on White. 1918

 

We’re a big fan of erasure here at Archipelago: the deliberate censoring of certain words of text to reveal a new meaning. The new creation combines literature with visual arts and can also subvert or reverse the meaning of the original. Erasure is, in a way, a kind of translation. In tribute, we’ll devote a few posts to some of our favorite erasures.

 

The first:

 

Mary Ruefle, Little White Shadow (Wave Books, 2006):

 

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More info here.